Designer(s) – Edmund McMillan & Florian Himsl
PEGI – 16
Created by Edmund McMillan, the same mind behind the infamously difficult Super Meat Boy, The Binding of Isaac is a Roguelike that can be seen as a love letter to the original Legend of Zelda game, but with its own very unique twists. Regardless of how morbid this game can seem to many people, it’s also a particularly enjoyable one to play. But be warned: it isn’t for those who are easily offended.
Graphics – 7/10
The visuals, rendered in the same artistic style as Super Meat Boy, contain a lot of unique, yet taboo elements in things like the various power-ups that can be found in the game, and especially in its creature roster, with it being capped off by some of the most compellingly disturbing bosses I’ve ever seen in video games. The only gripe I have with it is that the settings can get a little repetitious at times, but the various DLC packages and re-releases fixed that problem to a certain extent.
Gameplay – 8/10
Playing out with mainly the dungeon crawling aspects of The Legend of Zelda series, it involves simply killing all enemies, and the boss at the end of each stage, then rinse and repeat. But each playthrough is different, as every section of every stage is randomly generated, presenting players with new power-ups and a new challenge every time. It’s quite testing, but not to the point of being unforgiving, which after playing Super Meat Boy, was like a breath of fresh air to me.
Controls – 10/10
There are also no issues with the controls. There are obstacles present in certain areas of each stage, such as floor spikes and bombs that could detonate unexpectedly, but whether or not the player survives is entirely dependant on their own level of skill, which is how I think games like this should be. At times, players are required to think on their toes in order to accommodate for what abilities and perks they may or may not have; especially during boss fights.
Lifespan – 10/10
As each playthrough presents a new challenge and experience every time, the game quite literally has infinite replay value. I love to see this in any game, but it’s particularly noteworthy when an indie developer manages to accomplish this since I hear many developers and critics citing that the budget may have been a factor in a game’s development cycle. But especially considering that this started out as a mere Flash game, and would have cost next to nothing to create, it says to me that the limitations stem from the developer’s imaginations.
Storyline – 8/10
The story is extremely reminiscent of the Bible story of the same name. It follows a young boy named Isaac, who once lived peacefully with his mother until the voice of God called out to her to “cut her son off from the world’s evils”, and lock him in his room. God finally calls out to Isaac’s mother, demanding that she sacrifice her son to him as proof that she loves God above all. But before his mother can burst to kill him, Isaac jumps down a trap door in his bedroom to plunge into the dangerous depths below, and into a world of danger. The story is extremely controversial, containing a number of mature themes and taboos, including, suicide, child neglect, religious hypocrisy, infanticide; the list goes on. But above all, it’s very enjoyable for those willing to take heed to the lessons conveyed within it.
Originality – 7/10
Though there have been many Roguelike games to have come and gone, this is a game that stands out among most others. It goes where other games and developers are generally afraid to go. After Super Meat Boy, I resented the development of such a game. But The Binding of Isaac has made me respect Edmund McMillan a great deal more than I did as a developer; especially since this was also a very personal game for him, as many of the game’s events were in fact based on his own childhood experiences.
Overall, The Binding of Isaac, whilst being the most controversial game I’ve ever played, is also one of the more enjoyable. It has everlasting replay value, as well as a story and premise that has rightfully propelled Edmund McMillan into a very special place in gaming history.