Developer(s) – Re-Logic, Engine Software & Codeglue
Publisher(s) – Re-Logic, 505 Games & Spike Chunsoft
Programmer – Andrew “Redigit” Spinks
Producer – Jeremy Guerette
Terraria is a 2D platforming sandbox game, whereby the idea is to explore a huge open environment (including underground), build a house to accommodate non-playable characters such as a merchant, a demolitionist and a nurse, and to fend off waves of hostiles that try to attack either the player or their house. Whilst it is very addictive in gameplay and lasts only as long as player interest, there are other faults which hamper the game to an extent, but nowhere near the extent to make it unplayable; by any stretch of the imagination.
Graphics – 6/10
Visually, this game is a nice throwback to the era of both the SNES and the Mega Drive, as it’s rife with 16-bit sprites and environments. The main concern I have regarding the graphics is that whilst it may seem unique to a lot of younger gamers, as they may not have played games from the 16-bit era, older gamers may not be so smitten by the visuals, as there is not that much unique about it in a conceptual sense. Most of the enemies found in the game pretty generic and typical, including zombies, vampires, skeletons and even slimes, which have been a stable element in the Dragon Quest series for years. The most unique enemies in the game are without a doubt the demon eyes, which are floating eyeballs that attack people. Even the Wall of Flesh, the hardest enemy in the game, doesn’t seem overly original compared to other monsters of its kind that have been seen in video games prior, such as Melchiah from Legacy of Kain: Soul Reaver or the Mother Brain from Metroid. For the most part, the enemies are pretty typical, but nevertheless, the 16-bit graphics are nicely rendered and to an extent, I could appreciate that the developers were trying to make the game stand out from a graphical point of view.
Gameplay – 8/10
The fact that the game’s conceptual design is pretty weak doesn’t at all change the fact that it is an absolute joy to play once players become immersed. I is extremely addictive, and it can obligate players to continue playing, whilst they may not be making progress in the conventional sense; a gameplay element very reminiscent of The Elder Scrolls series. However, it will take some getting into. A lot like Minecraft or Don’t Starve, it’s not strictly self-explanatory. I would recommend getting tips on how to play it effectively before trying it. At first, I saw little point in carrying on with this game, as from first impressions, it seemed like things were moving to slowly. I then watched a few videos of people playing it and a few tutorials, and I decided to give it another go. Before I knew it, it was half past 2 in the morning. Although at first I struggled to understand exactly what this game had going for it in terms of gameplay, it grew on me, and I came to be impressed with what there was on offer. I have played very few 2D side scrollers that offer this level of exploration and freedom, and whilst its not a very original idea in general, I enjoy playing it.
Controls – 9.5/10
Another thing that initially annoyed me was the mechanic of building and mining in this game. It took me a while to figure out how to do it as effectively as possible, and I was about to run out of patience when I accidentally discovered that the analogue stick can be used to switch between two ways of building and mining when it’s pushed down. But as I said, I found that out by chance and it wasn’t self-explanatory. I guess by that logic, however, it would be much easier to play this game on a PC. But anyone reading this who is thinking of trying the game will now know, and there aren’t any other problems to address at all.
Lifespan – 10/10
As I previously wrote, this game will only last as long as player’s interest, and given this game’s level of addiction and variety, that should indeed be a particularly long time. There is no obligation to complete the main objective at hand, and players will be encouraged to make other form of progress in order to pass the time, such as building a bigger and better house. I, for example, have dedicated time to simply making an underground network simply to be able to explore the depths of the in-game world more easily.
Storyline – N/A (10/10)
One thing I tend to keep in mind whilst critiquing a video game is that not every game has to have a story in order for it to be good. Therefore, if a game doesn’t have a story, but didn’t necessarily need one, It won’t lose any marks and will attain a perfect score in that axiom of judgement. There is no point criticizing a game for not having an element that it didn’t need; and Terraria is certainly one of these games. When I reviewed Don’t Starve some time ago, I thought that it didn’t have to have a story at all; but the fact of the matter is that it’s there, and it’s just not elaborated on very much; and so it lost marks. But with Terraria, there is no story; nor did it need one. Therefore there is no need for it to lose marks.
Originality – 4/10
This is the aspect in which the game was left wanting in my opinion. As I said, although it is addictive and fun to play, the developer’s desire to incorporate uniqueness in the visuals with the 16-bit style wasn’t fully realized the way I see it, as it was pretty weak in conceptual design with few standout enemies or visual elements. It’s because of this that I’m sceptical that it would’ve stood out if the game was actually released in the 16-bit era.
In summation, aside from Terraria’s lack of visual uniqueness, and in terms of gameplay, whilst it does indeed borrow elements from Minecraft and the Metroidvania style of play, and therefore lacks the feel of a fully cohesive concept, it was still fun to play and one of the more addictive games I’ve played in recent times, and it’s definitely worth the very generous asking price attached to it.